As part of each performance of NATURE FETISH: A Public Opera, artists working in time-based performance will deal directly with the “nature” of performance, operation of “nature” in performance, and conceptions of “nature” as such. The space will open up into a full exhibition of performance, functioning as a “natural history museum,” as a zoo, a circus, a farm, a forest, and a living body of research into subjective visions of nature as influenced by conceptual frameworks and performance practices.

Thursday July 12, Friday July 13, Thursday July 19, and Friday July 20
8pm: NATURE FETISH: A Public Opera
9:30-11pm: NATURE FETISH Exhibition performances
Saturday July 14 and Saturday, July 21
4pm and 8pm: NATURE FETISH: A Public Opera
9:30-11pm: NATURE FETISH Exhibition performances
Grace Exhibition Space
840 Broadway, Floor 2
Brooklyn, NY, 11206
J/M/Z to Flushing Avenue
Individual Exhibition Conceptions and Artists for the NATURE FETISH Exhibitions are:

Matthew Silver

Lorene Bouboushian
Thursday July 12: The Call of Nature: bodily functions and fluids, embodiment, waste, want, meat, and human impact on natural environments. FEATURING: Elinor Thompson, Miles Pflanz , Matthew Silver, Dave Ruder and Lorene Bouboushian.
Friday July 13: NATURE FETISH opera project collaborating artists, poets, composers, and performers show solo works dealing with their own projections of “the nature of nature.” FEATURING: (see Public Opera team list below)
Saturday July 14: SIMULTANEOUS: Nature Fetish Edition: Ivy Castellanos of IV Soldiers Gallery works with other performance artists simultaneously as an ecosystem or food chain or other emergent system. FEATURING: Felix Morelo and other special guests.

SIMULTANEOUS I: IV Soldiers Gallery
Thursday July 19: The Natural Spirit: field recordings, indeterminacy, fluxus, improvisation and the influence of performance art’s “nature” on music and dance. FEATURING: Jason Anastasoff, Lindsey Drury, and Kyli Klevan

Anya Liftig
Friday July 20: Rituals and Totems: cultural semiology, feminism, naturalism, post-humanism, and the problematics of performance and anthropology. FEATURING: Lillie D’Armon, Anya Liftig, Quinn Dukes, and Kikuko Tanaka.
Saturday, July 21: Video and the Nature of the Self: Featuring Alessandra Eramo, Heather Warren Crow, Valerie Kuehne, and Joseph Keckler.

Alessandra Eramo
NATURE FETISH: A Public Opera: is new opera: a rat-man hybrid thriving across field and street and woods and desert, unaware that he is being watched, eating the scraps that have fallen down onto the tracks, squeaking in extended techniques at the top of his lungs.
Collaborative Team on the creation and production of NATURE FETISH: A Public Opera: Jessica Bathurst, Arla Berman, Cory Bracken, Devlin Goldberg, Katie Johnston, Brian McCorkle, Natasha Missick, Ellen O’Meara, Esther Neff, Michael Newton, and Dave Ruder
We are performing acts dually constructed from the philosophies of “non artists” who wandered into our workshops off the street and from the philosophies of so-called civilization: we are stretched taut across disciplines, we are human animals sniffing transhuman butts, we are anhingas simmering in salty grease, we are attempting to possess/objectify and be possessed by/be objectified by the “nature of nature,” as it all rots and streams in gluey rivulets through our fingers: we set out as scientists and have returned home de-anthropomorphized, clinging to five distinct aural performance theories: each episode embodying a theoretical cluster of senses and nonsenses regarding the “nature of nature.”
Theoretical frameworks for the episodes were built from human “fetishes,” or projected desires for the existence/agency/forms/forces of “nature,” and were sought/defined/constructed through five public workshops at University Settlement. A brief documentary video of this process can be seen at: http://vimeo.com/33440068. We then translated each stream of theory into process-based, often participatory, sometimes theatricalized frameworks and sequences of notated and aleatoric music, text, actions, and images. Lawful and logical natures, ecosystemic natures, chaotic natures, the wilds of conception are as thick with thorns as they are with edible berries. Saxophone, guitar, violin, turntables, electronics, clarinet, percussion, voices, flute, feet.
The NATURE FETISH project has been developed through performance of the participatory frameworks, graphic scores, text, and music at Bronx Art Space, University Settlement, Center for Performance Research, and the City Reliquary and elsewhere in NYC and at BLO Ateliers, KuLe Theater and Sucked Orange Gallery in Berlin, DE.